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The Grand Opening #5

And so we move into 1971 and the preparation of Hoar Cross Hall so we could open it to the public by Easter. During the run up to buying the house my dad had been buying furniture, carpets and paintings like crazy and I remember our previous home being jam packed with chaise longues, sideboards and carved chests as well as all the suits of armour that he already had. This furniture was now set out in all the rooms. My mum’s collection of Victorian costumes were on display in the Ballroom as well as my dad’s collection of silver plated ‘display’ armour, which hung around the panelled walls; the suits of armour and the many paintings they had lined the Lon...

The Grand Opening #5

THE GRAND OPENING:       And so we move into 1971 and the preparation of Hoar Cross Hall so we could open it to the public by Easter.  During the run up to buying the house my dad had been buying furniture, carpets and paintings like  crazy and I remember our previous home being jam packed with chaise longues, sideboards and carved chests as well as all the suits of armour that he already had.  This furniture was now set out in all the rooms. My mum’s collection of Victorian costumes were on display in the Ballroom as well as my dad’s collection of silver plated ‘display’ armour, which hung around the panelled walls; the suits of armour and the ma...

The Ballroom #70

Continuing my series on the rooms that were open to the public at Hoar Cross Hall, we move from the Library, through the secret door, to the Ballroom.  Overlooking the gardens and the former deer-park, this beautifully proportioned room is elegant and grand.  The lower halves of the walls are covered in carved white and gold wood panelling which is complemented by the original hand printed blue wallpaper, again over 150 years old (see photo below).  Incredibly the original wooden printing blocks for the wallpaper were in the house when we moved in and were on show to the public in this room.  The fireplaces are made of marble with carved wood overmantels wh...

RAGS TO RICHES! #15

RAGS TO RICHES:  My parents were married in Derby in July 1952.  Mum was 19 and dad was 36 so quite a bit older.  They both lived in Derby and were very arty; my dad went to the Derby Sketching Club in his free time and my mum attended art college.  I’m not sure where they met but it was either at something art related or at a dance, as was usual in those days.  My dad was a sculptor by trade; I think his interest was sparked by seeing all the beautiful alabaster in Italian churches during the war.  After the war he set up his own business making alabaster lamps, bowls and candlesticks among other things (see header picture).  He would go to the alabast...

Rags to Riches #16

RAGS TO RICHES:        My family originated from Derby and my parents were married there in July 1952.  Mum was 19 and dad was 36 so quite a bit older.  They both lived in Derby and were very arty; my dad went to the Derby Sketching Club in his free time and my mum attended art college.  I’m not sure where they met but it was either at something art related or at a dance, as was usual in those days.  My dad was a sculptor by trade; I think his interest was sparked by seeing all the beautiful alabaster in Italian churches during the war.  After the war he set up his own business making alabaster lamps, bowls and candlesticks among other things (see hea...

Rags to Riches #12

RAGS TO RICHES:     My family originated from Derby and my parents were married there in July 1952.  Mum was 19 and dad was 36 so quite a bit older.  They both lived in Derby and were very arty; my dad went to the Derby Sketching Club in his free time and my mum attended art college.  I’m not sure where they met but it was either at something art related or at a dance, as was usual in those days.  My dad was a sculptor by trade; I think his interest was sparked by seeing all the beautiful alabaster in Italian churches during the war.  After the war he set up his own business making alabaster lamps, bowls and candlesticks among other things (see header...